SCENE NINE: THE RECEPTION

 

1963 

 

A royal cocktail party is under way on the royal yacht, Britannia, anchored in the harbour with a view of the opera house under construction. An abundance of society ladies in glittering evening dresses are among those raising their glasses in a toast to the Queen. 

 

AIDE DE CAMP 

The queen. 

 

CHORUS 

The queen. 

The queen. 

The queen. 

 

The Queen nods to her assembled guests and starts to chat to some of them. 

 

LADIES CHORUS 

Look at me, 

Look at me! 

I'm so happy to be 

At a glittering royal occasion. 

I’m a sight, 

I’m a sight, 

I’m a Queen of the Night! 

Clinking glasses, 

In what passes 

For an extravagant Paris creation. 

 

A particularly gross hat parades across the stage. 

 

There's a zing 

In the air, 

I could come  

over queer 

At the luscious proximity of gentry. 

And if dawn should betray 

A world somewhat more grey, 

We can dine out on this  

For the rest of the century! 

It feels apt.  

It feels right, 

And though we’re not ones to skite, 

While we’re veering to port 

It’s a sobering thought: 

What are the poor doing tonight? 

What are the poor doing tonight? 

 

SOCIETY LADY 1 

The dashing Dane is here, my Master Builder! 

 

LADIES CHORUS 

Mutton jammed into lamb 

But we don’t give a damn... 

 

SOCIETY LADY 2 

He’s with his wife,  

And, darling, Ibsen was a Swede. 

 

LADIES CHORUS 

Dressed to kill, 

What a thrill! 

Who says we’re over the hill? 

 

SOCIETY LADY 2 

He’s a genius! I’ll sound him out regarding my extensions. 

I’m sure he can squeeze them in on the side... 

 

LADIES CHORUS 

When we curtsy on cue 

With the privileged few, 

Far removed seems our humbler escutcheon. 

On this opulent yacht 

Oh so eas’ly forgotten 

Our unfortunate forefathers’ 

Stint in the dungeon. 

What a night! 

My heads so light. 

Christ, I’m high as a kite! 

But we’ve consciences too, 

As we drink in the view: 

We pity the poor folk, 

The sorry and sore folk, 

Who just can’t afford oak-aged plonk 

To get tight. 

What ARE the poor doing tonight? 

 

Earth and Sky enter as two society guests 

  

SKY 

Who compiled the guest list? 

Who’s Who

 

EARTH 

No one turns down the chance to feel the royal glove. 

Even the famous writer, 

Who turns his mouth down at most things, 

He's here. 

Getting on famously with the famous swimmer... 

 

Two men pass, chatting to each other. One of the men is the Maestro the other man is The Politician  - the architect's nemesis) 

 

POLITICIAN 

What a nice young man he is. 

 

MAESTRO 

A champion. 

 

POLITICIAN 

A hero. 

 

SKY 

And our architect, 

He's here too. 

An honorary native tonight. 

 

The architect is surrounded by women 

 

The man of the moment,  

For the moment. 

 

Some men and women are looking at the opera house construction site from the yacht. 

 

MUSIC LOVER 

Timeless... 

Like some ancient monster 

Waiting to come to life! 

 

WOMAN 1 

What will it be like 

To roam it's decks 

I wonder? 

 

WOMAN 2 

All the glamour of a night at the opera...  

 

POLITICIAN 

It's taking too long... 

 

MAESTRO 

And there’s still no sign of 

The plans for the inside... 

 

POLITICIAN 

At the rate it's going up 

We'll be lucky to live that long! 

 

SOCIETY LADY 2 

I hope there's lots of gold 

And chandeliers. 

 

SOCIETY LADY 1 

Will there be a royal box? 

There'd have to be,  

Wouldn't there? 

 

SOCIETY LADY 3 

My dear, we’re pushing hard to have it named 

The Royal Opera House. 

 

The queen has been introduced to the famous writer. 

 

THE QUEEN 

I believe you're writing a book 

About the naked lady. 

 

THE WRITER 

Excuse me? 

 

THE QUEEN 

 

Who joined the blackfellows... 

 

THE WRITER 

Eliza Fraser, Maam. 

I'm thinking now it would make a good opera 

For our new opera house, 

If I can convince a certain composer... 

 

THE QUEEN 

What a clever idea. 

But I’m sure this building will inspire 

Many such clever ideas. 

(Almost conspiratorially) 

We have one of your books with us, 

You know, 

On board... 

 

THE WRITER 

Which one, Ma’am? 

 

THE QUEEN 

Is it...Floss

I'm afraid I haven't opened it 

But my equerry tells me it's rather a good read. 

 

AIDE DE CAMP 

Introducing the Architect to the Queen 

The architect of the opera house, Ma'am. 

 

POLITICIAN 

To the Maestro. 

I tell you if we were in government 

He wouldn't get away with it. 

 

MAESTRO 

I would have thought 

A politician like yourself 

Would be grateful. 

 

POLITICIAN 

Grateful? 

 

MAESTRO 

The more it drags on, 

The more you talk up the issue, 

The more likely it’s you 

Who calls the shots 

When the next election’s won. 

 

THE QUEEN 

What a marvellous building. 

My husband and I  

Are so looking forward to the opening. 

When may that be do you think? 

 

ARCHITECT 

Some years still, 

Your Majesty.  

 

POLITICIAN 

Two more years 

In opposition... 

 

MAESTRO 

Two more years of waste and delay... 

 

POLITICIAN 

Two more years til the next election... 

 

MAESTRO 

What a perfect opportunity! 

 

POLITICIAN 

Are you implying I’m an opportunist? 

 

MAESTRO 

Not at all. 

But private and public good can ...harmonise. 

 

POLITICIAN 

What public good have you in mind? 

 

MAESTRO 

The future of Concert music. 

 

THE QUEEN 

I must say it’s good to see 

The Dominions mature. 

Roll on galas! 

Roll on concerts! 

 

THE ARCHITECT 

Do you like opera Ma'am? 

 

THE QUEEN 

Oh ...yes. 

Although they do go on a bit don't they? 

 

THE ARCHITECT 

All good things take time... 

 

AIDE DE CAMP 

Ma'am, may I introduce the Olympic Champion? 

 

THE QUEEN 

Oh I AM pleased to meet you! 

 

She whisks him off. Her entourage follows leaving The Writer and the Architect. A little non plussed. 

THE WRITER 

Poor boy. 

Tossed from Queen to Queen... 

 

CHORUS 

What are the poor doing tonight? 

What are the poor doing tonight? 

I haven’t a clue 

What the poor are doing tonight. 

 

AIDE DE CAMP 

Ladies and gentlemen, 

With the architectural marvel 

Rising before us,  

Her Majesty thought it fitting 

That one of your rising operatic stars 

perform, tonight 

In honour of this royal visit. 

 

Miss Alexandra Mason will be accompanied by her husband  

Mr Stephen Goldring. 

 

Alex enters in a formal gown and Stephen moves to the piano. 

 

ALEXANDRA 

When English ships first sailed between the heads 

And slipped inside the harbour's open arms, 

About their prows the welcome water spread 

And bathed their flanks with blue refreshing balms, 

 

And English soldiers armed with flag and drum 

Set foot on land and camped beside its streams 

To toast their king with shots of navy rum 

And build their gaol beside this port of dreams. 

 

The harbour though was never held in thrall 

It watched a city grow and, treading time, 

It spoke in whispers of the things it saw 

And nightly washed the city's feet of crime. 

 

And now each night as lights, reflected, gleam 

The harbour wakes to watch its city dream. 

 

POLITICIAN 

She sings like an angel. 

I feel a surge of power, 

How strange. 

How strange. 

 

MAESTRO 

Music defies time but needs its timekeepers: 

Even beauty must sometimes grasp 

The grubby helping hand of the real world. 

 

ARCHITECT 

These are the moments  

We wish we could capture and hold forever. 

 

The guests applaud. A burst of fireworks offstage draws the guests away, leaving the Architect, Stephen, Alexandra and the Minister. 

 

STEPHEN 

Darling you were wonderful! 

 

MAESTRO 

As always, 

Glorious my dear. 

 

POLITICIAN 

Miss Mason 

You have a unique voice. 

 

ARCHITECT 

Such a voice belongs to the world 

Why are you still hiding here? 

 

ALEXANDRA 

I’m waiting for your 

Opera house. 

 

MAESTRO 

Aren’t we all? 

And this lad 

Will conduct my orchestra there 

One day. 

That is, 

If there’s room for them all on the stage! 

 

ALEXANDRA 

What will it be like on the inside? 

 

ARCHITECT 

Like... a frozen wave. 

A series of frozen waves. 

 

MAESTRO 

aside 

An acoustic nightmare... 

 

POLITICIAN 

aside 

One slip and a frosty wave goodbye 

Is all he’ll get from me... 

 

STEPHEN 

Alex, did you hear what he said? 

It’s what I’ve dreamt of! 

 

ALEXANDRA 

He said my voice belonged to the world 

Why am I still hiding here? 

 

STEPHEN 

He’s made his choice, 

He’ll hand me the reins. 

My future is secure here! 

 

MAESTRO 

I’ve sewn the seed:  

This has proved a most productive night. 

A most productive night and now 

 

ALEXANDRA 

And now I feel I could conquer the world. 

 

STEPHEN, POLITICIAN 

Now I know, 

Now it’s clear and now... 

 

ARCHITECT 

They love me here.Time’s on my side! 

 

ALEXANDRA 

I know it now 

It’s clear at last 

My future’s secure! 

 

ARCHITECT, STEPHEN, MAESTRO, POLITICIAN 

Nothing can stand in my way 

My future’s secure, 

Secure! 

 

Alexandra, Stephen, The Maestro and the Architect disappear, leaving the Minister alone. As he sings his aria, the parliament scene assembles around him. 

 

POLITICIAN  

Seize it! 

Seize the moment! 

Steal the thunder. 

Blaze it, 

Blaze the scandal! 

Trumpet his every blunder. 

 

The sails of his folly 

Propel us to power. 

Time to take the knife 

To this tall foreign flower. 

 

I’ll champion prudence and caution 

In the face of gross excess. 

The profligate’s self-destruction 

Guarantees my sweet success. 

Art may be pretty, 

Politics ain’t! 

Let common sense prevail: 

I’ll prize the halo 

Off this high and mighty saint!